I made a short video loop, Googling Californias (Half Truths for People on the Go) for the http://w-e-s-t-e-r-n-d-i-g-i-t-a-l.com/ exhibition of west coast artists curated by Rick Silva. Part of The Wrong – New Digital Art Biennale. Interestingly, coincides with my 20 year anniversary in California – guess I’m really a west coast artist now!
I’ve written a new text! It’s on the connection between tap dance and percussion, and how that fits in to women’s percussion history. Lots of videos, so it’s posted in two parts:
Tap Dancing Drummers and Other Female Percussionists.
I’ll be performing CyberSpaceLand tomorrow night in San Diego at “Am I Drawing Now?” hosted by the UCSD Experimental Drawing Studio. The VJ Übergeek Textperience returns, performing the Inimitable Internet with some colorful new twists. Music by DJ 2005!
JUNE 6, 2013
SME 202, UCSD
Show starts at 8pm…. the party and music continues after the show.
Map and more details on the Facebook event page.
Here’s video documentation of the “Violent Movies Unraveled” “public window” show I did in December at iotaCenter. In this prototype performance, two violent movies – Psycho and Scarface – are “unraveled” onto separate screens so that the attackers face the attackees. The screens in this case are adjacent apartment windows. Although sound wasn’t used in the proto-show, I’ve included split-screen composites below that show the source videos with sound.
Since the beginning of film history, cinema has compressed physical space onto a single plane – the movie screen. This means, we never really see characters face to face – no matter what they’re doing to one another. “Violent Movies Unraveled” re-edits famous movie scenes for two screens so that attackers face their attackees.
Split-screen composites of the source videos with sound:
Going to Berlin? My 2005 artistic software, Scream, has been included in the Tools of Distorted Creativity exhibition at Transmediale 2013, Jan 29 to Feb 3. If you’re in town, stop by and belt out some inner turmoil. It’ll make you feel better. After all, look what it did for the guy in the Munch painting…
Update: 10/15: After that early experiment, PIGS was rewritten to better incorporate live action video and to be more efficient for real-time performance. It’s a project under ongoing development. It’s webpage is here.
Here’s PIGS’s debut performance in “Rocket’s Red Glare: Things Exploding on YouTube,” an audiovisual improvisation with clarinetist/sound artist Curt Miller.
ORIGINAL POST FROM 2013:
Very first experiments with PIGS (Percussive Image Gestural System), a new framework for visual performance based on percussion gestures (but not sounds) – and non-rectilinear forms. I grew up performing music, and still play drums now and then. In doing visual performances, I’ve found myself instinctively performing it as though I were playing a visual percussion instrument. Although I tend to approach sound/visual pairings with skepticism, in this case, we’re not really using sound, just borrowing from a particular sound-based practice.
Anyway, here’s a very first video. The system is very rough – content and processing are in a very basic stage, and there’s lots of latency right now. The percussion audio is just there for illustrative purposes – PIGS is intended to produce visuals only. You can read more about PIGS on the YouTube page:
Part of my artist-in-residence research at iotaCenter.
I’ll be doing another “Unraveled” ad-hoc performance in West LA Saturday 12/7, starting at 7:30. This one is called, “Violent Movies Unraveled” and features Scarface and Psycho “unraveled” to place attackers and victims side-by-side on two windows – so they have to “face” each other as they carry out their cinematic acts. It’s an experiment in re-spatializing linear screen-based cinema.
A quick Halloween experiment: Psycho Unraveled. West LA, 10/31/12.
“Unraveling” the famous Psycho shower scene. Rather than the characters being juxtaposed sequentially on a single movie screen, they have separate physical spaces behind a pair of apartment windows. “Unraveling” Psycho’s linear screen space allows us to put the film’s separate, “face-to-face” character shots on-screen at the same time. But editing the “unraveled” film calls for a different approach than simply cutting the individual character shots together and running them on adjacent screens. Using extended cinema space opens up opportunities for narrative to extend its use of space, rhythm, and negative space as cinematic devices. It clearly also affects the context of the film: Does the Psycho murder seem more misogynistic or less so when it’s projected behind the curtains of an apartment instead of a movie or TV screen?
“Psycho Unraveled” is a first experiment in unraveling linear cinema for spatial presentation. It was presented as unannounced public art on Halloween 2012 in the Palms district of Los Angeles. Since the visuals are hard to make out in the documentation, you can see a composite of the source videos as they ran in the show here.
“Psycho Unraveled” is part of my sabbatical research at iotaCenter.
I’ve got a new project: Videos by People. Actually it’s an experiment to see if not-so-well-connected individuals can band together get their video stories told. Will you help by submitting a short video (and sharing the link)? The first topic is called Voting Stories. Here’s my voting story, which prompted me to start the site.
Videos can be short and simple, and it’s (I hope) very easy to upload a video directly to the votingstories YouTube channel. It’d be awesome if you’d send a video, and if you’d also help by sharing that be ueberwonderful… Thanks!!!!